An entrepreneur discovers a plan the Russians have for taking over the Middle East. He wants to use it to create a new video game called "Doom's Day," but the KGB, the CIA and the FBI have different ideas, and all of them are after the tape, too. This slapdash comedy, loosely directed by Hal Kanter, concerns an effort by three U.S. government agencies, Army Intelligence, the C.I.A. and the F.B.I. to regain a stolen microchip that would allow the Soviet Union, if it obtained the item, to control Middle Eastern oil supplies, but the chip is unmindfully in the possession of a young woman played by Deborah Raffin who must subsequently evade not only Federal agents but an amorous young man as well, accompanied by his two friends; obviously created solely for light entertainment, the silly film has slipshod production values, but all involved seem to be enjoying themselves, which is worth something, some witty lines are scattered amid foolish slapstick, and Raffin is appealing as the pursued. It's late 70's made-for-TV movie humor. Lots of actors you'll say "Hey, that's ____________" Yeah, the humor is a bit old and silly, but think of it as a "period piece."<br/><br/>I'm a fan of the Bay Area Rapid Transit (BART) subway, and this movie has a few scenes shot in the stations and on the trains: 16th St Station entrance, a few minutes on the train (old upholstery and maps), and leaving at Glen Park–if you're a BART fan, this is worth it.<br/><br/>The movie also includes great shots of San Francisco and the coast all the way down to San Diego. I'm quite familiar with SF, and the shots don't seem sanitized–they are fairly realistic. This is one of the things I look for in older movies: a chance to look back at what an area used to look like.
Ailjewe replied
295 weeks ago